The Cat in the Hat by Dr. Seuss, 1957 (Photo credit: Wikipedia)
This week my son brought home The Cat in the Hat from his school library, which is fitting because on March 2, Dr Seuss, the great children’s author and illustrator, would have been 109 years old.
He was great. Wasn’t he?
“Oh God, I hate Dr Seuss! He’s the worst!” my mother says. This jibes with my childhood memories; I had a ton of books at home growing up, but not a lot of Seuss. A few, yes: The Lorax, How the Grinch Stole Christmas!, The Cat in the Hat Comes Back (but not the first one), and that’s about it. On my mother’s list of forbidden childhood fun, Dr Seuss came in at number two, just beneath Santa Claus. Number three: Play-Doh. Number four: every other toy that was messy in any possible way. Number Five: Fun-Dip or Fun-any kind of candy. Funyuns also. No, she’s a great mom. Really.
Recently when my son took One Fish Two Fish Red Fish Blue Fish out of the library I realized I had never read it before. At least as a child. After college I worked at Random House Children’s Books, which publishes the works of Seuss: the ones he wrote when he was living and the ones he wrote after he was dead. One of my tasks was tracking the sales of Seuss books. The top title, if I recall correctly, was Green Eggs and Ham.
I did not read that in my house. I did not read that with a mouse. I did not read it with my mother. She did not like it, so don’t bother!
“Why do I hate Dr Seuss?” she said, when I called to ask her. “Can’t it just be fun and simple? Why does he have to be a such a smarty-pants?”
This makes sense. If there is one thing my mother can’t abide, it’s a smarty-pants. “It’s like he’s trying to prove he’s so smart so he goes on and on and on. Sam I am Sam I am who cares? You know me, I want it short and to the point. Not impressed.”
Sam I am enough already (Photo credit: Wikipedia)
For many years my mother worked in the library at our local kindergarten center, so she has a pretty good knowledge of kids’ books. What was your policy on Dr Seuss in the library? I asked.
“Of course kids took the books out, but I didn’t promote Dr Seuss, I didn’t read Dr Seuss. I didn’t tell them not to, but I wasn’t going to read that jibber-jabber out loud. The Lorax, and all that stupid stuff? There’s nothing about it that I like.”
All righty. So, who are your favorite kids’ authors, then? How about Maurice Sendak? “Nope, didn’t like him either.” I almost hung up. I think that Where the Wild Things Are is one of the most perfectly written books, for kids or adults, ever.
“But I love Little Bear [which is illustrated by Sendak but written by Else Holmelund Minarik],” she said. “It’s so sweet and charming. And what else? God, I can’t think, I’m out of the library business. Kevin Henkes [I agree, I love everything he writes]. And Rosemary Wells [Oh that Max and Ruby!]. The Arthur books. Tomie De Paola. I don’t know, something that made you feel happy and cozy and comforted. Or something really funny. I don’t find Dr Seuss comforting or funny.”
“So can I pin this dislike for Dr Seuss on your childhood?”
She pauses. “Yeah, probably.”
My mother was born and lived, until she emigrated at five, in the south of Italy, in a poor, rural, mountain village. It was not unlike the setting of Strega Nona, the Tomie De Paola book which is a favorite of hers. Strega Nona is set in a fictional, fairy-tale Calabria, the region she was from, with its rough edges softened: Catholic and hardscrabble and peopled with goats, stubborn country folk and witches, like her mother, my own Strega Nona, without all the smiling and kiss-blowing.
It’s the kind of upbringing that looks romantic and interesting only in retrospect, from our family’s new vantage point on the U.S. east coast. But at the time, there was little room for romance in a medieval house with no heating and dirt floors. There, I would imagine, you’d seek comfort. Coziness. A simple happiness found at the edge of a desperately practical existence.
Old school. My mother’s village in Calabria.
As we were talking about Dr Seuss my aunt walked into my mother’s house. She immediately gets on the anti-Seuss bandwagon: “Oh, I never wanted to read Dr Seuss to the kids either,” she says. “Sam I am? I am Sam? Really?
“And The Cat in the Hat? In our house cleaning up was not an option.”
“Our mother never left the house, so we never got the chance to make a mess,” my mother added. “That’s for Americans with leisure time.” Oh, the zingers you’ll zing.
I will grant them their literary tastes. It’s a free country after all. You can have unusually strong opinions about whimsical children’s book authors if you want to. But I can’t let Dr Seuss go undefended on his birthday. Especially now as a parent, watching my five-year-old, newly-reading son, read Seuss books.
As fanciful as Seuss books are, it was Hop on Pop that introduced my son to reading in the most sensible way. The book repeats simple words and then switches the final letter, and encourages kids to note the differences as they are helped along by the bright, silly pictures.
Children’s books serve all sorts of purposes. The books published before Dr Seuss, were, in many cases, cozy and comforting, and those books, like Goodnight Moon, have their essential place. And there were those, too, like the work of the excellent Virginia Lee Burton (The Little House), which took on the real world is a wonderful, honest way.
On the other hand, Dr Seuss, smarty-pants extraordinaire, introduced twentieth-century children to a world beyond the comforts of hearth and home, a world that recognizes the importance of letting your imagination run amok. Yet, they are not just flights of fancy; many Seuss books have essential lessons that burst right through the silliness. Think of The Lorax, The Sneeches, the Grinch, on and on. These books were of little use for my mother and aunt whose imaginations were shaped back in the old country, where they pretty much lived in the sixteenth century.
A few minutes after we spoke, my mother called back. “Here’s another quote for your blog. Everyone says they love Dr Seuss, but do they really?” When we say we like Dr Seuss, are we all just pretending to like something that comes off a bit highbrow? Like jazz, or Champions League soccer? I asked my son when he got home from kindergarten.
“O darling child, may I ask you something? Please, finish your quinoa and locally-sourced beets first.”
“Hm?” Looks up from book of mazes.
“Do you like Dr Seuss books?”
“Yes,” he says, unreservedly.
“Because they’re funny.” (Take that, Mom!)
OK, I can see that this is going to be the typical cavalcade of one-word knee-jerk responses. Not the burst of enlightenment I thought my research would bring me. But suffice it to say, he likes the books. He wants to read them, or have them read to him. My two-year-old does, too. He even likes And to Think That I Saw It on Mulberry Street. But he’s old school.
“What are else are you going to write about me?” my mother asked. “‘She didn’t bake, she didn’t play games, she didn’t do arts and crafts,’ right?” Well, she didn’t really. Those things aren’t in her bones. But listening is. And she talked to us. Candidly. And all the time. She still does.
So right now I’m going to call her back, for the fifth time today, and tell her: my grandparents schlepped all the way to America so that their descendants could sit around and enjoy piffle like Bartholomew and the Oobleck. So let’s, shall we? Oh, the places we can theoretically go!
Happy birthday to you. World Telegram & Sun photo by Al Ravenna. (Photo credit: Wikipedia)